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Posts : 5 Join date : 2015-04-30
| Subject: ike free run 2 herre tilbud is definitely perfect Mon May 04, 2015 2:24 am | |
| Many people believe that nike free run 2 herre tilbud ad communication technique is the "star offensive" ads with different pictures, plot. But that is not the case, played a fundamental role in the form of communication but not the content is advertising a dialogue with consumers from heart to heart! Nike advertising communication has thus been a strong resonance allows consumers the fine effect. Nike consumer groups for sports fans, its communication and audio-visual content designed to take the public to pass this information: Nike and the sports world like you "experts", we all know what happened the sports community. So Nike ad showing the film is a real objective of the sports world. When nike free run 2 herre and men in the youth market, a firm foothold on the market after the female market, instead focusing their attack. Advertising creative program planner, Ms. Janet and Charlotte used two methods of self examination to understand the potential of women's inner world, to women and women of "dialogue" as the primary means of communication. Advertising works with contrasting black and white images, the background above the highlights is a one intertwined with the word "no", ad text, full of affection, meaningful, but filled with a soft tone, touching care and hope. In your life, people always think you can not do it can not do that. In your life, people always say you is not good enough robust enough talent, they said your height weight No No No body will not make a difference. They always say you can not, you life, thousands of times they will quickly and firmly say you can not, unless you prove your line. Advertising is available on the women's favorite lifestyle magazine. Unlike the ad text is a sports marketing business demands, more like a female heart confession, advertising reflects the true character of nike free run+ 2 løbesko herre ads: communication, rather than stimulating. | |
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